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Designer
and provider of crane, rail and static mounted camera platforms, 35mm,
Super 16mm and High-Definition Video camera systems for the Television
and Film Industry
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THE PEOPLE WHO MAKE IT ALL HAPPEN!
(Click an image to enlarge)
| The Camera Support Staff. From left to right: Laurie Barrett, Gary Taillon, Beth Erickson, Gina Tripp, Randy Gomez Sr. Not pictured: Armen Allen, L. David Irete, Jaime Mejia, Tim Lee, George Valenzuela. |
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Randy Gomez, founder and co-owner of
Camera Support. Seen here on location in Seattle shooting with a Panasonic
High-Definition Varicam.
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| Marc Hunter, camera operator and technical consultant to Camera Support, shooting on a Sony High-Definition camera in the lava fields of Hawaii. |
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Steve Simmons performing the ultimate
house-call on a Camera Support Jib Arm. Photo taken on location in the
Alaskan Wilderness.
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| Dan Lorenze, utility, with a 2-axis Stargate Remote Head on a Rail Cam System. Photo taken on the set of Wheel of Fortune in Washington D.C. |
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John Goforth, utility, setting up a Camera
Support Aaton XTR Prod Super 16mm Camera on a Jib Arm in Washingotn
D.C.
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| David Irete, camera operator, on the set of Wheel Of Fortune in Chicago operating a Camera Support Master's-Series Steadicam. |
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Greg Harms, camera operator, with a CinOvation
Film-Ped setup on the set of "The Web".
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David West, camera operator, shooting an episode of "Music In High Places" in Morocco. |
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Manny Bonilla, camera operator, shooting
High-Definition in Australia.
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Paul Basta operating a CinOvation dolly rig on the set of "The Web". |
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Vito Giambalvo and Gary Allen shooting
the pilot of "Web Girl" on CinOvation Film-Ped units.
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| Harold Henderson, camera operator shooting for E! Entertainment with a Camera Support Studio Lightweight Steadicam. |