Designer and provider of crane, rail and static mounted camera platforms, 35mm, Super 16mm and High-Definition Video camera systems for the Television and Film Industry


THE PEOPLE WHO MAKE IT ALL HAPPEN!
(
Click an image to enlarge)

Click to enlarge
The Camera Support Staff. From left to right: Laurie Barrett, Gary Taillon, Beth Erickson, Gina Tripp, Randy Gomez Sr. Not pictured: Armen Allen, L. David Irete, Jaime Mejia, Tim Lee, George Valenzuela.
   
Randy Gomez, founder and co-owner of Camera Support. Seen here on location in Seattle shooting with a Panasonic High-Definition Varicam.
Click to enlarge
   
Click to enlarge
Marc Hunter, camera operator and technical consultant to Camera Support, shooting on a Sony High-Definition camera in the lava fields of Hawaii.
   
Steve Simmons performing the ultimate house-call on a Camera Support Jib Arm. Photo taken on location in the Alaskan Wilderness.
Click to enlarge
   
Click to enlarge
Dan Lorenze, utility, with a 2-axis Stargate Remote Head on a Rail Cam System. Photo taken on the set of Wheel of Fortune in Washington D.C.
   
John Goforth, utility, setting up a Camera Support Aaton XTR Prod Super 16mm Camera on a Jib Arm in Washingotn D.C.
Click to enlarge
   
Click to enlarge
David Irete, camera operator, on the set of Wheel Of Fortune in Chicago operating a Camera Support Master's-Series Steadicam.
   
Greg Harms, camera operator, with a CinOvation Film-Ped setup on the set of "The Web".
Click to enlarge
   
Click to enlarge David West, camera operator, shooting an episode of "Music In High Places" in Morocco.
   
Manny Bonilla, camera operator, shooting High-Definition in Australia.
Click to enlarge
   
Click to enlarge Paul Basta operating a CinOvation dolly rig on the set of "The Web".
   
Vito Giambalvo and Gary Allen shooting the pilot of "Web Girl" on CinOvation Film-Ped units.
Click to enlarge
   
Click to enlarge
Harold Henderson, camera operator shooting for E! Entertainment with a Camera Support Studio Lightweight Steadicam.